busy mixing actual sheet metal

The weird thing pictured on the right is a:
1D N7 QRD Diffuser, tuned to 360hz (the second harmonic of my studio).

And I turned into a shelf, so stuff it full of garbage, so it would do some scattering as well.

Since most of the diffusers you’d be able to buy come already tuned to certain frequencies, reducing their effectiveness in given rooms, we make them according to the measurements of your room, or specific frequencies you wish to diffuse.

If you need some – contact us.


I don’t have an associative picture so feast on this placeholder mushroom

yes we grew actual mushrooms for more than a year

want to buy an autoclave?

A common practice in setting up recording and production studios: LEDE – Live End Dead End.

Dead End – the half of the studio in which you, your monitoring and your microphones reside. Most of the surfaces covered by absorbers and basstraps, ensuring you don’t get any significant delays from early reflections.

Live End – the part of the studio behind you, which is supposed to be diffused, scattered and completely broken of any resonant frequencies.

This approach is primarily tailored to our sonic perception – if your room is completely dead and has no reverb left at all, everything feels dull and hollow, stereo depth becomes point-sourced and disorientingly directional.

Diffusion and scattering allows controlled reverb to prevent said issues, but is diffused and scattered enough to not significantly alter your frequency response.

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